Ekphrasis and Modernism: A Study of Two Poems by Wallace Stevens and William Carlos Williams
ISSN: 1578-3820
Año de publicación: 2012
Número: 13
Páginas: 49-60
Tipo: Artículo
Otras publicaciones en: Odisea: Revista de estudios ingleses
Referencias bibliográficas
- ALTIERI, C. 1985. “Why Stevens Must Be Abstract, or What Poets Can Learn From Painting.” Wallace Stevens: The Poetics of Modernism. Ed. A. Gelpi. New York: Cambridge University Press. 86-118.
- BAYM, et al. 1994. “William Carlos Williams.” The Norton Anthology of American Literature vol. 2. New York: W.W. Norton & Company. M1183-1185.
- BOHN, W. 1986. The Aesthetics of Visual Poetry 1914-1928. Chicago & London: Chicago University Press.
- COSTELLO, B. 1979. “William Carlos Williams in a World of Painters.” Boston Review June/July Issue. 25 Sept. 2011. http://bostonreview.net/BR04.6/costello.html.
- COSTELLO, B. 1985. “Effects of an Analogy: Wallace Stevens and Painting.” Wallace Stevens: The Poetics of Modernism. Ed. A. Gelpi. New York: Cambridge University Press. 65-85.
- GARCÍA LORENZO, M.M. 2005. American Literature after 1900. Madrid: UNED.
- HEFFERNAN, J. A. W. 1993. Museum of Words: The Poetics of Ekphrasis from Homer to Ashbery. Chicago: The University of Chicago Press.
- JAKOBSON, R. 1960. “Linguistics and Poetics.” Style and Language. Ed. Thomas A. Sebeok. Cambridge, MA: MIT Press. 350-377.
- JENKINS, L.M. 2000. Wallace Stevens: Rage for Order. Brighton: Sussex Academic Press.
- MARR, A. 2006. “The Magic Box.” Tate Modern: The Handbook. London: Tate Publishing. 13-18.
- MITCHELL, W. J. T. 1986. Iconology: Image, Text, Ideology. The University of Chicago Press.
- MITCHELL, W. J. T. 1994. “Ekphrasis and the Other.” Picture Theory. University of Chicago Press. 27 Oct. 2011. http://www.otal.umd.edu/rc/eleced/medusa/mitchell.html.
- PATEA, V. 2011. “The Poetics of the Avant-Garde: Modernist Poetry and the Visual Arts.” SPELL: Swiss Papers in English Language and Literature 26: 265-280.
- PEIRCE, C.S. 1974. La ciencia de la semiótica. Buenos Aires: Nueva Visión.
- PUGLISI, F. 2003. “Imagini e parole: il ritratto dell’artista nel museo poético di William Carlos Williams.” Siciliòmi II. Anuario di Varie Scritture. Ed. M. ARGENTO. Catania: Prova D’autore. 15-56.
- PUGLISI, F. 2010. “To Die ‘Incommunicado’: Problems of Translation and Communication in William Carlos Williams’s Paterson.” Translating America: Importing, Translating, Misrepresenting, Mythizicing, Communicating America. Eds. M. Camboni, A. Carosso & S. di Loreto. Torino: Otto. 587-596.
- STEINER, W. 1982. The Colors of Rhetoric: Problems in the Relation between Modern Literature and Painting. Chicago: The University of Chicago Press.
- HANKS, W.F. 2000. “Indexicality.” Journal of Linguistic Anthropology 9 (1-2): 124- 126.