Ethnicity and gender in the beat generationJack Kerouac and the other woman.

  1. Encarnación-Pinedo, Estíbaliz 1
  1. 1 Universidad Politécnica de Cartagena
    info

    Universidad Politécnica de Cartagena

    Cartagena, España

    ROR https://ror.org/02k5kx966

Revista:
IJES: international journal of English studies

ISSN: 1578-7044

Año de publicación: 2022

Volumen: 22

Número: 1

Páginas: 1-21

Tipo: Artículo

DOI: 10.6018/IJES.477981 DIALNET GOOGLE SCHOLAR lock_openDIGITUM editor

Otras publicaciones en: IJES: international journal of English studies

Resumen

Pivoting around the contrast between Jack Kerouac’s On the Road (1957) and Tim Z. Hernandez’s Mañana Means Heaven (2013), this article reopens debates about ethnic appropriation and rhetorical control in the Beat Generation. More specifically, it sets out to investigate whether the textual strategies used in Mañana Means Heaven allow ethnic minorities to escape the discursive control exerted by On the Road. Keeping in mind that Hernandez’s text acts as a counter-discursive text to Kerouac’s representation of Bea Franco (aka “the Mexican girl”) this article analyzes the different dialogues Mañana Means Heaven necessarily establishes with On the Road, which often include alliances as well as points of departure.

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